Born in Vevey in 1980, Antoine Chessex is a sound artist whose works assume a wide diversity of forms crossing the boundaries between Noise, (de)composition, improvisation and researches in sound studies.

As a performer, he radically deterritorialized the tenor saxophone by playing his horn through distorting stacks of guitar amplifiers and PA systems to create monolithic walls of electrified textures resulting in intense live actions. He performed solo at numerous international festivals and venues worldwide.

As a composer, he has been investigating the abstract properties of acoustic instruments within ensembles, usually in combination with electronic dispositives including the reel-to-reel tape recorder performed live by Jérôme Noetinger. Chessex's compositions are characterized by textural density and microtonal tensions often resulting in sound-masses exploring the physical dimensions of space and time.

As a researcher, he addresses issues around Noise, sonic imaginations, marginal artistic practices, politics of sound, critical listening and possible articulations of sound and philosophy within the context of sound studies. Recent publications include Unfolding the Margins (éditions du désordre, 2017), Thinking A Sonic World (2017) and the multilingual magazine Multiple (éditions du désordre, 2016 & 2018). 

Past commissions include DUST for three violins and electronics recorded live at Berlin's Berghain in 2010, Chute for the Kammerensemble Neue Musik Berlin, Schichten & Ritournelle Fulgurante  for the oh ton Ensemble, Metakatharsis & Damage is Done for the Phoenix Ensemble in Basel, Furia for the Ensemble Werktag in Zürich as well as Plastic Concrete & Accumulation for Apartment House in London. In 2016, he wrote Les Abîmes Hallucinés, an ominous electro-acoustic sonic drama for the Ensemble Proton in Bern. In 2018, he created écho/cide, a work for Eklekto as well as The Experience of Limit for solo piano.

Chessex is also a founding member of the band Monno with whom he toured extensively.

His works have been presented at Cafe OTO (London), Transmediale festival (Berlin), Ultima contemporary music festival (Oslo),Videotage (Hong Kong), Diapason Gallery (New York), Issue Project Room (New York), The Lab (San Francisco), The Compound (San Francisco), INA/GRM Présence électronique Festival (Paris), Berghain (Berlin),      Tuned City festival (Berlin), Alexandrinsky Theatre (St-Petersburg),     Sonic Protest festival (Paris), Unsound festival (Krakow), Archipel festival (Geneva), Women (Los Angeles), Ultra Hang festival (Budapest), Parnassos concert hall (Athen), Vaal Gallery (Tallinn), Dom (Moscow),    All Ears Festival (Oslo), Corsica Studios (London),  Sound Forest festival (Riga), Urban Guild (Kyoto), Urga (Tokyo), Ochiai Soup (Tokyo), Namba Bear (Osaka), Swissnex (San Francisco),  Center of contemporary arts (Warsaw), Fundacion Serralves (Porto), Palace Akropolis (Prague),      Tam Tuumb! Festival (Roma), Audio Art Festival (Krakow), Meteo Festival (Mulhouse), Sibelius Academy (Helsinki), Ze Dos Bois (Lisbon), Elastic Arts (Chicago), HAU (Berlin), Mochvara (Zagreb), Ancienne Belgique (Brussels), LUFF festival (Lausanne), Ruin Festival (Wien), Echo festival (Belgrade), Fylkingen (Stockholm), Sendesaal Bremen, DNK(Amsterdam), Istituto Svizzero (Roma), Rotterdam Film Festival and Fri Art (Fribourg). 

further resources:

publications HERE

list of works HERE

Interview on 15 questions website: HERE

Extensive interview on Tokafi  PART I & PART II 

reviews of apartment house/noetinger/chessex: on bad alchemy & aural aggravation & a closer listen & the sound projector

reviews of selected chamber music works:  on the wire & touching extremes & a closter listen

reviews of DUST:  on a closter listen & touching extremes & bad alchemy & blow up & neural

live reviews on counterfnord & the new noise & berliner zeitung

portrait in newspaper satakunnan kansa in finland

reviews  of errances on improv sphere & vital weekly

reviews of fools: on crucial blasttokafi & still single & paris transantlic & existence establishment

reviews  of monno on taz & des cendres à la cave & pertes et fracas

review of bolidages on die tageswoche

earlier reviews selection of solo works here

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photo by Anton Lukoszevieze, London, 2015